Through the image of an angry and fearful monster-like little girl, Dumas powerfully and emotionally paints about love and motherhood. To her, "There is no beauty, if it doesn't show some of the terribleness of life. The tension between our fears of appearing racist and our fears of potential danger has become a modern-day reality and Dumas' ability to emphasize this marks a key component of her artistic genius. “I always zoom in on the human body and the human face,” she explained, referring to her previous work, “but here I wanted to tackle space. August 2018, By Claire Messud / Painting is a very slow art. This is painting with no frills: full on, with nowhere to hide…, articleSouth African born artist Marlene Dumas has been called “one of the hottest names in contemporary art.”  Working in a style that has been called “neo-expressionist” and “conceptualist,” Dumas creates lush, often disturbing and unnerving images of racial, sexual, and cultural subjectivity…, review“I write about art because I want to speak for myself. She looks behind her, to where she comes from, with an ironic smile. The striking portrait is based on a snapshot of Dumas' own daughter, Helena, who was simply finger painting on a hot summer day. / I might not be the only authority, nor the best authority, but I want to participate in the writing of my own history. the-artists.org is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by linking to Amazon.com. Aug 18, 2015 - Explore Sophie Brown's board "Marlene Dumas" on Pinterest. If been struggling lately to re-write an artist statement for my upcoming exhibition in September; and since we are celebrating Women’s day tomorrow, I thought it would be a nice idea to share one of the many artists who I admire (in this case Marlene Dumas)’s writings: P.S where she writes ‘paint’ I … What are the recurring themes within her work? South African artist Marlene Dumas has cultivated a unique position within the world of figurative painting since the early 1980s, focusing on how the human body is translated into an image. Image from Marlene Dumas website Measuring your own Grave. She is in her forties, smiling, with long, flamboyant orange hair. Raised in white South Africa knee deep amongst apartheid, the artist learned young that life was a study in contradictions and duality. Lecture by Marlene Dumas held on 14th August 2015 in conjunction with her exhibition 'The Image as Burden', at the Foundation Beyeler. At the same time, she pays homage to her daughter - a mother's source of everything from life and death, fear and glory, happiness and sadness. A selective biography of Marlene Dumas. The Meaning of Drawing: drawings by ten Dutch Artists/A Priori tekenen (exhibition catalogue), The Hague/Amsterdam: Netherlands Office for fine Arts/Makkom, 1987: p. 46/143 [compilation of the texts ‘The Meaning of Drawing’, The Meaning of Drawing: drawings by ten Dutch Artists, 1986 and ‘The Surrealist Tradition’, A Priori tekenen, 1987] But such wonderful, washed out, transparent colors of dark red-brown, deep purpleblue and variations of charcoal on a living body, and such frightful tones of whitish green and bluish mist on a dead body or face, make Marlene Dumas an exceptional painter. February 2, 2015, By Rodney Bolt / She looks behind her, to where she comes from, with an ironic smile. It doesn't travel with the speed of light. the saatchi galleryIn Young Boys, Marlene Dumas’s line-up of ghostly lads is stark and oppressed against the ominous background, trailing off in the distance into mere sketchy traces of suggestion. Dumas is not a conceptual artist - the reactions she seeks are emotional as well as mental, as is the process of artistic creation itself: 'I deal with second-hand images and first-hand experiences' (Dumas, quoted in D. van den Boogerd, 'Survey: Hang-ups and Hangovers in the Work of Marlene Dumas,' pp. ", Dumas is part of a contemporary lineage of female figurative painters that have elevated the portrait from its roots in vanity, using it to depict personal, psychological, social, and political concerns. She becomes the artist, the source, and the genius. Raised in white South Africa knee deep amongst apartheid, the artist learned young that life was a study in contradictions and duality. Marlene Dumas: Eros and Thanatos Who would have predicted, twenty years ago, when painting had been pronounced "dead" and figure painting deader still, that today's hottest-selling woman artist would be a painter -- and a figure painter, at that? Includes bibliographical references. Zeno X, Antwerp, Belgium. Marlene Dumas. Marlene Dumas . Catalogue of an exhibition held at The Museum of Contemporary Art, Los Angeles, June 22-Sept. 22, 2008, and at The Museum of Modern Art, N.Y., Dec. 14-Feb. 16,2009. I run away from my accountant, I run away from my dentist. The abstract painters always insist on their connection with the visible reality, while the so called figurative artists insist that what they really care about, is the abstract qualities of life. A Parkett Inquiry, vol. Border Crossings, no. Born Aug 3 1953, Kuilsrivier, South Africa. 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